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OP Art


Shawn started developing an earphone piece and a small lipstick camera that Karen would wear. Robert Nideffer, from UC Irvine, compiled and edited our e-mail exchanges to give her as dialogue for her performance on site. She started coming to the Experimental Digital Arts (EDA) space here at the School of the Arts and Architecture, to test the equipment and practice. Fabian Wagmister, from Film and Television at UCLA, was helping test the communication. Louis Hock, from UC San Diego, came to the EDA to help work out some ideas, and Sharon Daniel, from UC Santa Cruz, flew in to work with Karen and Robert. At the ASU conference, the organizers expected nine faculty to show and share their knowledge. Instead, there was only one person present - Karen - speaking for us all. Or rather, we were speaking through her. Sharon, Robert, Fabian, Shawn, and I were in Arizona, hiding in the back room while we monitored the video coming from her head and the conversation that was taking place.

This collaborative project could be interpreted as simply a fun piece, and it was. But it also has tremendous implications for how we may work together in the future, which necessarily has an impact on the student | faculty, and research | development - the very heart of our UC system. I am not offering any answers on where this will end up, just introducing the pipe, which, for those of you who are interested, on a PC is located on the far right, the last key right above the enter key. Press shift and there you are. The line that blurs is part of your vocabulary.



In the background monitoring the video from the head-mounted camera and listening to the conversations. Left to right: professors Victoria Vesna, Fabian Wagmister (UCLA), Sharon Daniel (UCSC), and Shawn Brixey (UCB)


Karen Black reading the e-mail script with a projection being streamed live on the Internet